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About & Welcome

Music & Drama

The methodology that structures BFSMS’s music curriculum is based on the Kodály Method, inspired by the Hungarian composer Zolton Kodály.


It is a sequential, literacy-driven curriculum using folk song material and age appropriate art music examples. Movement and instrument play are incorporated as it becomes developmentally appropriate to do so beginning with simple circle games and classroom percussion instruments leading up to more difficult movement activities and the use of barred instruments and/or recorders. Curriculum is focused on literacy and listening skills. As time allows, students spend class time listening to and learning about both traditional and non-traditional music performance practices.

Meet Your Teacher

Pre-Kindergarten and Kindergarten

Students spend time experiencing music and aurally developing a melodic/rhythmic vocabulary. Through singing and playing, students experience steady beat, rhythm and the various dichotomies of sound; high-low, fast-slow, soft-loud. By the end of Kindergarten, they begin to give names to these elements. Students start to identify patterns of sounds with proper terminology eventually “writing” their own patterns using known rhythmic/melodic motives. 


First Grade and Second Grade

As students progress, these musical examples become longer and start to expand in a variety of melodic and rhythmic possibilities. By the end of first grade, most students can find and demonstrate the beat. They can recognize and dictate rhythms that contain one, two, or no sounds on a beat; quarter note, paired eighth notes, rest. Students also begin to identify melodic patterns that contain two or more pitch differences and use iconic pitch references to map the rise and fall in pitch. 

By the end of second grade, students have developed a musical vocabulary and a bank of music rhythmic and melody terminology. Both allow them to identify and begin reading and writing musical patterns using the pentatonic scale, simple meter rhythmic motives containing beat divisions; beamed eighths, sixteenths as well as rhythmic values that combine beats; half note, whole note, etc.  Students also begin to organize these patterns according to meter and “Do” placement. 


Third Grade Through Fifth Grade

By the end of third grade, students will begin to experience/recognize more sophisticated examples of rhythm and meter that extend beyond simple/duple time signatures. Typically, third grade is when they begin playing recorders in class and reading absolute pitch from the treble clef. It is also when students have had the opportunity to study more in-depth classical musical examples that culminate in a visit to the Tobin Center at the end of the year. This program developed by Carnegie Hall’s Weil Music Institute is a wonderful addition to San Antonio’s symphony educational program.  Following this program over the past several years has given both our third and fourth grade students the motivation to individually improve upon their performance and musical understanding according to their own level of skill and interest. 


Students spend much of their fourth and 5th grade years using what they know about the structure of music to create. They continue to build on their experiences of melody, rhythm, meter and form with more emphasis put on how these elements are combined. Students are given more flexibility in choosing composition/performance activities according to their interests and skill level. By the end of the year, fifth graders have a solid foundation in music composition, music history and performance practice.


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